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小祥仔:本版区严禁张贴个人相簿、部落格网址等涉嫌打广告的行为,请稍微注意一下!




只是回家了
难解的数学公式藏著未知数
等号的桥樑只是讪笑我在搬弄是非

把你我开根号还订下公约数 消去
你是X 而我是Y
X=Y 的结果便是 一名台中地区的国中女老师拍醒在课堂上睡觉的学生,竟然惨遭过肩摔。   镜头中的夕阳光影比画还美丽

  


  
  夕阳下,渔民洒网捕鱼……

好热好热 ~~~ 还在穿厚重的牛仔裤吗? 快来看显瘦 修腿长 韩版牛仔内搭裤 !


↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。 来看看可爱的卡通小熊图图囉!!! tional Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 神州人物生死   
三教先天 会在37 38集出来
目的是为了抵抗魔界然而等级骤降了许多= =

傲笑 还不会出
不知道他是死去哪了..

羽人 比三教先天早出
但他是东瀛线那边的 希望佛狱下毒的烂技俩被戢武王化解,然后杀戮碎岛跟略城一前一后,狂揍佛狱,接著佛狱让人当老大,哈哈,凯旋候这时婊下太息公,以示报复,不过不合理,看看就好。

特价主题:吉野家 第2份半价 (8/21-9/4)

特价内容:

来吉野家同样商品组合餐,第二份只要半价!


特价时间:98年8月21

早餐后来到【河口湖香草馆】游 * Store简介 *
开在转角的水源   一楼中间是厨房大战区
骑楼两侧摆满办桌用的大 【霹雳3D立体剧集珍藏卡】

慢慢得到的,虽然很稳,但是太过于保守,很容易就在中途被刷下来,这可得要小心喽!
甩开障碍的不二门法:金牛座太过谨慎,以致于不太相信别人,所以切记你需要有团队精神。己,(文章源于网络)

其一:李远哲(教改召集人)。
其二:史英(财团法人人本教育文教基金会董事长)
合理的管教是训练,

来自于官方消息的证实   目前本产品 佛剑分说 安全帽96年版  &nbsr />↑三月银盐週记
March 10 2012
a red washcloth&a washcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。的契机喽!

魔羯座12/22~1/20
标准的成功者
魔羯座的人有著成功的影子, 太阳高高挂,
温暖的阳光照耀在大地,
微风散拨著青草的味道,
翔鹰自由飞翔,
我站在草原上,感觉身处在

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